BLUEST EYE - Softcover

Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:

You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.

This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus

"Toni Morrison's The Bluest Eye is an inquiry into the reasons why beauty gets wasted in this country. The beauty in this case is black. [Miss Morrison's prose is] so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry...I have said 'poetry,' but The Bluest Eye is also history, sociology, folklore, nightmare and music."
--John Leonard, The New York Times

"A fresh, close look at the lives of terror and decorum of those Negroes who want to get on in a white man's world...A touching and disturbing picture of the doomed youth of [the author's] race."
--L.E. Sissman, The New Yorker

"A profoundly successful work of fiction...so controlled, so good...with the same clean precision that Sherwood Anderson used to carve his troubled little town...Taut and understated, harsh in its detachment, sympathetic in its truth...it is an experience."
--Gary Blonston, Detroit Free Press

"The freshest, most precise language I've run across in years...Toni Morrison is a wizard."
--John A. Williams