Oreo - Softcover

“Oreo buzzes with whip-smart comic ferocity. The book is just goddamn funny. Oreo laughs in the face of the American one-drop ideal of whiteness that produces Oreos in the first place. It revels in yet mocks its own hybridity, and that of the characters. It pulls off the unique trick of slapping white supremacy in the face, while never letting go of the ideal of (and the desire for) whiteness itself. The novel’s constant dialectical tension recalls jazz itself. Free jazz, intentionally playing with poetry and cacophony, music and noise, meaning and nonsense, black and Jewish. It’s a novel that reads as the smartest and wildest conversation you’ve ever had, with the friend that’s too smart for her own good. Oreo’s time is most certainly now. Because, more than ever, with the real world skidding off into madness, absurdity and chaos, this crazy, sexy, cool novel now makes perfect sense.”
- Marlon James, Guardian

“A brilliant and biting satire, a feminist picaresque, absurd, unsettling, and hilarious ... Ross' novel, with its Joycean language games and keen social critique, is as playful as it is profound. Criminally overlooked. A knockout.”
- Kirkus (Starred Review)

“Setting out from her black household in Philadelphia to find her deadbeat Jewish father in New York, [Oreo] proceeds through one of the funniest journeys ever, amid a whirlwind of wisecracks in a churning mix of Yiddish, black vernacular, and every sort of English.”
- Danielle Dutton, The Guardian

“What a rollicking little masterpiece this book is, truly one of the most delightful, hilarious, intelligent novels I’ve stumbled across in recent years, a wholly original work written in a wonderful mashed-up language that mixes high academic prose, black slang and Yiddish to great effect. I must have laughed out loud a hundred times, and it’s a short book, just over 200 pages, which averages out to one booming gut-laugh every other page.”
- Paul Auster, The New York Times

“Oreo is one of the funniest books I've ever read. To convey Oreo's humor effectively, I would have to use the comedic graphs, menus, and quizzes Ross uses in the novel. So instead, I just settle for, 'You have to read this.'”
- Mat Johnson, NPR Books

“With its mix of vernacular dialects, bilingual and ethnic humor, inside jokes, neologisms, verbal quirks, and linguistic oddities, Ross's novel dazzles...”
- Harryette Mullen

“It took me two years to "feel" Wu Tang's first album, even longer to appreciate Basquiat, and I still don't get all the fuss over Duke Ellington and Frank Lloyd Wright. But I couldn't believe Oreo hadn't been on my cultural radar.”
- Paul Beatty, The New York Times

“Hilarious, touching and a future classic.”
- Vanity Fair

“Think: Thomas Pynchon meets Don Quixote, mixed with a crack joke crafter. I'm not sure I've ever admired a book's inventiveness and soul more.”
- John Warner, Chicago Tribune

“The novel will endure, greeting each new generation of readers with its continuing relevance.”
- Amanda Sarasien, The Literary Review